The author Brian Godawa is a prolific Christian movie maker, reviewer, screen writer and author. If one would expect someone to have the situational background to write on a Christian worldview analysis of films, then Godawa would be it. Making this even better is the fact that Godawa has good theology driving his worldview. He’s also influenced by Van Til’s Presuppositional apologetics (another major plus!). I’ve been wanting to read this book for a long time and was glad that I was finally able to order it and sit down and read it. The book defends the idea that film in of itself is not sinful–and that is just the preface. Conscious of the fact that film consists of visual imagery, the dramatic and a story, the author demonstrates that Scripture uses or record people using imagery, the dramatic and stories properly. The rest of the book is divided into three parts, or more appropriately as Godawa calls it, “act.” In Act 1, Godawa focuses on story telling, which consists of three chapters. The first chapter is about the issue of sex, violence and profanity. This chapter is one that a Christian might want to read carefully and perhaps revisit even after a first reading of the book. It is something to chew on even if not every Christian will find themselves in agreement with the author. Chapter three focuses on movies with redemption which obviously is a big theological Christian motif since God has established the greatest act of redemption. I’ve thoroughly enjoyed Act 2 of the book, which focuses on three worldviews that’s the undercurrent of many contemporary movies: existentialism, postmodernism and other worldviews, including Eastern mysticism. Act 3 focuses on movies protrayal of the spiritual with a chapter each on Jesus, Christianity, faith and spiritual warfare. What I like alot about this book is that many movies are brought up as examples of the worldviews subtle message in films. There are many insights, analysis and observations from various movies throughout the book. You will find yourself seeing movies you seen before in new light and also be curious about the story lines of other movies you have not seen before (and of course, some movies which I will not see as a result of this book’s analysis). All in all, these example should stir a Christian to be careful with discerning and watching movies with Godly wisdom–and while watching out for swearing, needless violence and sexual sins are important, we as believers must also watch out for the IDEAS that film impart to us. I highly recommend this book as a great introduction.