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Archive for the ‘Genesis 39’ Category

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I. Identifying a narrative through its elements

a. Elements of narrative are important because they are the defining factor in determining whether the genre of a literature is a narrative.

i. If a text is a narrative, there are certain elements expected.

b. The essential elements include[1]:

i.      Scene

1. This is probably the most important element.

2. Scene involves sequence of event in the narrative.

3. In the Hebrew text, the component of scene can be established by the pattern of wayyiqtol.[2]

a. Wayyiqtol is a syntactical construct of a conjunction (wow consecutive) + prefixed form/preterite/imperfect verb.

b. Wayyiqtol is often used to establish temporal or logical sequence.

ii. Plot

This concerns the beginning, middle and ending of the development of the narrative.

iii. Character

1. Who is involved in the narrative?

iv. Setting

1. Where in space/time does this narrative takes place?

v. Point of view

c. Other elements:

i. Dialogues

1. Old Testament narrative has a lot of dialogue

ii.Rhetorical devices

II. General principles in interpreting Old Testament narratives

a. Identifying the intention of the text[1]

i. This should be the first step

1. Analogy: Not knowing the intention first is like a kid drawing and saying he does not know what he’s drawing until he’s finished.

ii.      Sometimes the intention is stated in the text.

iii.      Sometimes the intention is not explicit.

1. Look for repetition

a. For example, what is repetitious in Genesis 39?

b. What does it reveal as to the purpose of the text?

2. Consider how the text fits into the greater context of the section or book.

b. Considering the theology of the text

i.      Some of the accounts of events in narratives are not moral examples to emulate.

1. Narrative is often more descriptive rather than prescriptive.

2. When possible, the proper interpretation of other portion of the Bible must be taken into account in interpreting particular narrative events.

a. The prescription found in the Bible must be the basis of interpreting the descriptive events in Old Testament narrative.

b. The Bible’s genre of law, proverb, prophecy and epistle might be important at this point.

ii.      Asking theological questions of the text[2]

1. What does this account tell us about God?

2. What does it tell us about the human condition?

3. What does it tell us of the world?

4. What does it tell us of the people of God and their relationship with Him?

5. What does it tell us of the individual believer’s life of faith?

iii.      The details here under “Considering the theology of the text” are essential steps in dealing with the tough “nasty” portion of narratives in the Bible.

1. “Don’t be afraid to wade into the nasty narratives of the Old Testament, for it’s in the nasty stuff you’ll find the God of scary holiness and the incredible grace waiting to reveal himself.”[3]

c. Watch the characters

i.      Who are the main characters in the narrative?

1. Why are they important and what purpose do they serve in the text’s intention?

ii.      Who are the supporting characters in the narrative?

1. They are the foil for a reason, so why are they mentioned and how does this serve the text’s intention?

iii.      God is always in the narrative, even if He is not explicitly mentioned

1. This is why it is important to ask the theological questions of the text (see above).

d. Attention to the details of each scene[4]

e. Be conscious of the setting

i.      There might be relevant background information that aid in interpretation.

f. Discern the point of view even within dialogues

i.      Distinguish between dialogues and straight narrative.

ii.      Non-dialogues serve as the “Voice of God” about the event.

iii.      The dialogue can portray the point of view of the speaker.

1. This is true unless the narrative makes it clear otherwise that the dialogue is a lie.

2.Point of view from human dialogue might not be truths from God.

g. Understand the plot

i.      The plot is the development of each stage within the narrative.

ii.      The plot is how each scene relates to each other!


[1] Dale Ralph Davis, The Word Became Fresh: How to preach from Old Testament Narrative Texts, (Ross-Shire, Scotland: Christian Focus Publications), 4.

[2] Ibid, 29 footnote 1, quoted from Daniel I. Block, Judges, Ruth, New American Commentary (Nashville: Broadman & Holdman, 1999), 604-605.

[3] Ibid, 74.

[4] Walter C. Kaiser, Jr., “Narrative”, Cracking Old Testament Codes, (Nashville: Broadman and Holman Publishers), 80.


[1] The following essential elements are found in Walter C. Kaiser, Jr., “Narrative”, Cracking Old Testament Codes, (Nashville: Broadman and Holman Publishers), 69-76.

[2] The discussion about the wayyiqtol is from Robert B. Chisholm Jr., From Exegesis to Exposition, (Grand Rapids: Baker Books), 119-120.


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